It’s one of the most famous tales of a bad boyfriend in Western literature—a lonely scholar called Faust makes a deal with the devil and drags everyone else down with him—but in Sara Holdren’s new ...

Sara Holdren’s new production for Heartbeat Opera takes its lead from Bulgakov’s Faustian novel “The Master and Margarita.” By Joshua Barone The director Sara Holdren has made it pretty clear that she ...

Throughout Charles Gounod’s five-act tour-de-force, with performances at 7:30 p.m. Aug. 27 and 30 at Mahaiwe Performing Arts Center, Hopkins inhabited new and evolving visages of Méphistophélès with ...

Heartbeat Opera’s radical adaptations of classic titles can soar or fall flat, but one constant has always been music director Dan Schlosberg, whose ingenious maverick arrangements—such as February’s ...

It turns out the music and lyrics of Depeche Mode make an apt companion to French composer Charles Gounod’s opera, “Faust.” Mixed Precipitation blends the moody lyrics of the British synth-rock band ...

Jennifer Davis's Marguerite and Duke Kim's Faust pull out all the vocal stops in the final scene of Gounod's opera If Nicholas Brownlee is more bass-baritone than cavernous bass as the very devil, he ...

It seems appropriate that the Royal Opera should start its French-themed season with Gounod’s Faust, perhaps the grandest of all grand operas. Over the coming months we’re being treated to a mixture ...

He was in his 20s then, having just quit medical school when the autopsies proved traumatic and his drive toward music won out over his physician father’s insistences. Then, he wrote eight small ...

When David McVicar’s production of Gounod’s Faust was new in June of this year, the experience was hell in all but the literal sense. McVicar simply didn’t take the work seriously enough, and clearly ...